Do It Yourself
or Sloppy Seconds

On October 15 2015 I attended a one day conventionette called Lost Patrons of the Mother Black Cap. It was hosted by Dave Forrest’s Full52, and was honestly the best magic event I’ve ever been to.

During that convention I saw Dave Forrest perform one of his signature effects REM. In REM a bunch of decisions are made by a spectator leaving an arrangment of items on the table, which is then revealed to match a photograph. When you buy the trick, you get a method and a photograph.

But when Dave Forrest performed it at the Lost Patrons of the Mother Black Cap, he had one extra prop which you don’t get with the effect as sold. That prop was a 2 foot by 3 foot painting of himself with the props arranged in front of him.

It was, after all, his signature effect and so while all the hobbyists bought it as trick number 237 to half heartedly perform in front of bored colleagues, Dave was closing his cabaret shows with it, and the painting was something so permanent, so hard to fake, that it left no doubt in the minds of his spectators that this prediction was as good as set in stone.

But now… I’m seeing a lot of these…

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or Sloppy Seconds”

Angels and Demons
or The Ballad of Tyler and Nikola

I feel like I need to start this post with a disclaimer that I have met Nikola Arkane multiple times, got on just fine with her and while I don’t know her well enough to arrogantly describe her as a friend, she is an acquaintance that I have almost entirely positive feelings towards.

Which is why when I needed one, she made a perfect nemesis.

Much like my earlier post on hatred as a motivating factor, I feel like recasting a person whose success you are envious of as a villain in your head allows a much stronger drive to defeat and surpass them than any kind of aspirational idolisation might offer. It didn’t really work out¹ so I am currently nemesisless, but in the peak of her villain era there was one thing she did about 5 years ago that I really didn’t agree with, and I want to contrast and compare it to something which is happening right now, as a kind of learning exercise.

Continue reading “Angels and Demons
or The Ballad of Tyler and Nikola”

Outies
or The Severed Floor

It was pointed out to me that the effect presented in my previous post bore a striking resemblence to an effect from The Jerx.

I mean the fact that the effect is Jerx inspired should be obvious by the fact that the password for Nulanima is Jerxian but bizarrely I was actually thinking of a totally different Jerx routine at the time of writing as well as two non Jerx effects.

The differences are so important I think it’s worth revisiting briefly.

Continue reading “Outies
or The Severed Floor”

Innies
or The Overtime Contingency

I said in a previous post that I am not a fan of hypnotism. It’s probably the only kind of magic I don’t like.

Maybe also troublewit.

But there’s one kind of magic I love and that’s faux hypnotism.

The kind of trick where regular magic techniques leave you with a sense of missing time or involuntary compliance without the coercive act of actually performing hypnosis.

Of course if you don’t know the difference it might feel similarly violating, which is why I love the premise behind the TV show Severence.

Umm… Spoilers for series 1 of Severence I guess.

Continue reading “Innies
or The Overtime Contingency”

Coinkidink
or Everything’s Connected

I realised after posting it that my diagram of the Trapezoid of Professionalism might have baffled a few people, and honestly I fear the explanation may baffle some of those people even more but I think it’s important to explain none the less.

The Connection between Paul Allen and Jon Allen is pretty obvious, they share a last name and a predilection for perfection, but other than the fact that Jonny Paul has both of their names in his name, there’s no other connection to either of them, nor is he really a counterpoint to any of their common aspects.

In fact, before seeing him by chance on a random episode of The Paul Daniels Magic Show, I had never even heard of Jonny Paul, so the fact that he entered my consciousness on the same night as the Jon Allen lecture is apparently pure coincidence.

But there is something bigger going on that I didn’t really want to get into in that post, and that bigger thing is this:

Coincidences are actual magic.

Continue reading “Coinkidink
or Everything’s Connected”

Shabbycadabra
or Let’s See Jon Allen’s Card

A couple of days ago I saw a lecture by Jon Allen. It was pretty good, lots of solid thinking, strong methods, entertaining effects, and everything he said made perfect sense… But when he explained his reasons for doing things the way he did, I continually found myself disagreeing with him.

Normally when I disagree with someone I can put my reasons into words but it wasn’t until much later that I realised what was going on in my head, and when I had this epiphany it suddenly made a lot of other things slot into place in my head, such as why I have so many props I never use.

Jon Allen is too professional.

Continue reading “Shabbycadabra
or Let’s See Jon Allen’s Card”

Acting Up
or Skills not Bills

I have to squeeze out some bile, and unfortunately that means it’s going to splatter all over you, my wonderful audience. Please forgive me, it is so hateful, so cathartic, to encounter something which is so diametrically opposed to your own internal calculus that it seethes from your every pore like steam escaping a boiler on the cusp of exploding.

I am of course talking about Alakazam’s regular YouTube segment, The Act.

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or Skills not Bills”

Tortured Artists
or We don’t use that word here

This post sat in my drafts for a year, because I needed to work through some thoughts, which I did in these three posts.

A number of people have brought the following recent article to my attention:

Magicians Less Prone To Mental Disorders Than Other Artists

Given that the Magic Circle has a whole mental health programme to look after its members mental health I can’t help but feel that suggesting magic is a ticket to good mental health might be papering over some actual problems, but that’s not what this is really about.

Because everyone knows to be an artist you have to be nuts, right? You have to be so tortured by the delusional visions visiting you at night that the only respite is to capture them on canvas or in writing. The music of the damned plays in your head until you can share it with other people to alleviate the burden of being alone with forbidden knowledge.

Right? That’s what we all know about being creative, its a curse.

Right?

Continue reading “Tortured Artists
or We don’t use that word here”