Category: Uncategorised

Posted on

Slated
or The Spirit Of The Thing

Spirit slates are a very old magician’s tool. I say that, they’re sort of a mentalists tool really. Or arguably they’re a tool used by fake mediums… which is to say they’re a tool used by mediums. In short it’s a pair of framed blackboards (slates) which are shown blank and placed together, with a piece of chalk is sandwiched in the gap between formed by the depth of the frame itself. These are then held or bound in place and after a little theatrics, the slates are opened up again and the chalk has written the answer to the medium’s or the mentalist’s or the magician’s questions on the boards.

They are a classic of magic. And now they’re back! in pog form!

Continue reading “Slated
or The Spirit Of The Thing”

Posted on

The Book of Lore
or How I learned to stop worrying and love ChatGPT

Whether or not you realise it, there is a battle going on for the creative hearts and minds of our world. The enemy is everywhere, invisibly leaking into our unconscious psyche. Sure sometimes you can spot it, a non contiguous limbs with too many joints, a fucked up hand where the fingers blur into one, a face that is way too symmetrical until it isn’t. But by carefully pruning these defects the visible results get more and more uncanny.
The efforts of our greatest creative minds are being tipped into a huge digital mincing machine and ground down into sloppy joes, which are then somehow re-crystalized into not just prime wagu beef but whole living cows, making genuine farming unsustainable as a career and banishing agrarian culture to the past.

Sorry this metaphor got away from me somewhat.

I am of course speaking about Dall-E Stable Diffusion, and the whole AI art phenomenon. I can’t draw, so I’m going to leave that whole discussion to people who can, and are having their work and livelihoods stolen outright by this process. I do however like to write, and AI has been after my turf as well, in the form of the General Text Prediction algorithm, the latest incarnation of which is ChatGPT.

And readers I’m sad to say I used it… And I liked it.

Continue reading “The Book of Lore
or How I learned to stop worrying and love ChatGPT”

Posted on

The Phantom, The Witch and The Crushing Weight of the Modern Media Oligopoly
or Simon Says

Where to begin?

In 2019 the winner of Britain’s got talent was a mentalist called X. It was unlike other winners because throughout the competition, the true identity of the magician behind the mask was only revealed at the very end of the show. It was Marc Spellman¹.

What’s interesting about this story is that I heard from a good friend of his that before the final, the makers of the show tried to convince him not to reveal his identity at all. Ultimately the decision was his, clearly, but they really didn’t want him to.

And to understand why, we have to take a little step behind the curtain of television talent shows, into the twisted contracting of television talent shows.

Continue reading “The Phantom, The Witch and The Crushing Weight of the Modern Media Oligopoly
or Simon Says”

Posted on

Chain Gang
or How to Sell Nothing

In my last post I mentioned Babylon Band and I dearly wanted to find a video of Jay Sankey performing it. Sadly I couldn’t find one, but while searching i found some drama posts from 3 years ago featuring Daniel Madison doing one of his usual personality cult character pieces and a dark thought entered my consciousness.

At some point, one of the magicians who has made a brand around themselves is going to very openly and loudly shit themselves in public.

Sorry, I said that wrong. What I mean is it’s only a matter of time until one of them mints an NFT.

Continue reading “Chain Gang
or How to Sell Nothing”

Posted on

Competition Time
or I’ll Be The Judge Of That

As I write this there is a local magic competition tonight, which I would have participated in were it not for my recent hospital stay. It’s a magic competition I have had an interesting history with, as a participant, organiser and rule setter. My disappointment with its fairness in the early days also nearly got me ejected from the club.

The thing about magic competitions is that as a performing art, appreciation of any given entry is entirely subjective. Generally a small number of judges are appointed and the rules set out criteria to them judge the competitors on. These judges will have different ideas of what counts as suitable attire for a performer, what is entertaining, what is mystifying etc.

Skill should be an objective measure, as is seen in gymnastics competitions, except when Simone Biles does a backward double-twisting double tucked salto dismount (thanks Wikipedia), everyone sees it. If a magician does a multiple diagonal palm shift and everyone sees it it wasn’t very good. One year the organisers had to tell the judges that a particular routine was entirely self working, because having seen no sleights at all the judges were under the impression that they were in the presence of an absolute master of prestidigitation. This disclosure got back to the competitor and caused no end of problems as it was seen as the organisers introducing bias to the judges.

Is there a way to fix all this?

Continue reading “Competition Time
or I’ll Be The Judge Of That”

Posted on

Oddfellows
or Cumulative Conceits

The thing about diary tricks is that they are predicated on a rather strange idea; that the performer has a pocket diary for the year, in which they have written a playing card for each day. The natural instinct is to give a reason for this. These reasons are often convoluted out of necessity, as there is no normal reason for a person to do such a thing. The only reason to put things in a diary is to act as a reminder, and the only reason you’d have to remember a playing card for each day is for a magic trick.

But… How many other tricks have these conceits?
Continue reading “Oddfellows
or Cumulative Conceits”

Posted on

Problems That Solve Each Other
or In and Of Itself

Sometimes I set myself challenges. Occasionally personal, occasionally universal.

Personal ones include:

  • How to perform a borrowed ring routine without a borrowed ring?
  • How to perform a matrix on stage?
  • How to perform a show using nothing but paper?

The universal ones are things like:

  • How to end a show with a suitable climax?
  • How to deal with the awkwardness of audience volunteers?
  • how to give a show more meaning?

    • Often, usually in fact, I dont solve them. I wouldn’t be so arrogant as to assume that no one else has ever encountered the same problems as me, particularly the universal ones, and thus my inability to fix them doesnt trouble me too much. After all, some magicians spend their whole lives trying to solve just one such universal problem in a new way, let alone two or three…

    This post contains enormous spoilers for Derek DelGaudio’s show In And Of Itself.

    I never got a chance to see it live but it has now been made available to stream on Disney+ so no one with an interest in magic has any excuse. One month of Disney+ costs way less than a ticket to the show, plus you can invite all your friends around and watch Thor Ragnarok after.

    So do that, then come back to read me talking about how clever it was.

    Continue reading “Problems That Solve Each Other
    or In and Of Itself”