I studied engineering in university. Software and Electronic to be exact.
This is not an uncommon story. Dai Vernon studied mechanical engineering, Jean Eugene Robert-Houdin built automata, and Robert Harbin is the most well known of a long line of illusion designers working from mechanical know how. Even Jesus started out in carpentry¹.
And isn’t that kind of weird?
In any other performance art, the technical side is relegated to backstage. Set builders, lighting technicians, audio engineers. The actors, musicians, and dancers on stage very rarely entered the arts because they loved the working of curtain pulley systems, valve amplifier schematics or shoe construction.
The obvious reason for this is that magic most commonly instills in its audience a desire to know how it works, and wanting to know how things work is also a strong drive in engineering and science education.
But this has further implications, linking my previous post to the world of STEM education, elitism in academia, and Gamergate. Yes, Gamergate.
Buckle the fuck in. It’s going to get bumpy.
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